Justine Kerrigan (Tracy Corkhill) Reflects on Channel 4’s Soap Brookside
Written by Justine Kerrigan
© Words - Justine Kerrigan
My mum passed away when I was eleven, after this I spent a lot of time with family including my grandparents. One of my most vivid memories from the months that followed were my granddad, who was actor Peter Kerrigan taking me to a close just off Deysbrook lane in west derby and leaving me with a fabulous young man called Francis Harcombe. The close turned out to be Brookside close and the young man was a floor manager and was to become a very good friend of mine in the not so distant future. This was August 1982 and I had no idea how important this little close would become to me and my family and friends.

I wasn’t aware at the time, mainly because of my age, just how controversial and out there Brooky was. There was a fabulous team of writers, including Jimmy McGovern. How we all loved being handed a script with Jimmy’s name on. Always a challenge and always a pleasure. Soaps had always been purely for entertainment and Brooky pushed boundaries, dealing with topical issues. Not just affairs and scandal. Not for purposes of sensationalism but because the writers had a genuine passion for the issues they were writing about. I think there was no doubt about this because the writing and performances were, at the time outstanding.
My character was given some really gritty storylines and I loved Tracy. I felt I was so lucky to have been given that part. She was so naughty and hard faced and as a Liverpool teen, it was quite easy to fall in to character. The clothes always worried me though. Tracy’s wardrobe was at times..….…questionable. As I was under the age of sixteen, I was given a chaperone called Maureen Leigh. It was love at first sight. Maureen was my confident…she was funny and cheeky and everyone loved her. I was beside myself and rather lost the day I turned sixteen. I was on my own.

A normal working day was eight till six thirty. A long day and involved lots of sitting round. Hanging around make up and wardrobe was usually the place to be. Especially if Mickey starke was about. The day would then fly by with nothing but hysterical laughter.
Mickey tried for years to get me to corpse on set and found it impossible. I always managed a straight face no matter what, will power that has long since left me. One day on set, in the Corkhill kitchen, director just about to say action and I turned round and Mickey was standing there with a malt loaf in his hand and whispered the words directly to me ‘Soreen Corkhill’. Nobody else found this funny but I can honestly say I have never to this day laughed as much. We still laugh our heads about it now whenever we speak.
Another highlight was meeting Morrissey when filming a soap bubble for Thames called South. I had already met Morrissey at a Brookside party as he was a genuine fan. He sat me on his knee and bought me twenty Benson and hedges from the ciggie machine. He is a fabulous man, quite shy and a gentleman with a lovely soul. I feel very honoured to have worked with him.

My saddest memory of the show was not being written out but being refused a story line to be written out. Mal Young the then producer also refused to discuss this with me and I was left rather confused about the whole thing. I felt it was every long term member of casts right to be given an appropriate ending but this was never the case. I am still unaware to this day as to why after eight years, this was never offered to me. I think this was the main reason I never pursued an acting career.
When asked would I like to see Brooky back on our screens …..My reply ‘look at what happened to crossroads’. Brooky was spoilt by self-indulgent cast who never questioned or challenged the diminishing respect the public had for the show. The writing was poor, save for the very talented Shaun Duggan who couldn’t do it all himself and it was like watching a car crash about to happen. I do think it’s sad that it ended that way and despite my sad departure, I never wanted to see it leave our screens but it passed the point pf no return and sadly I believe Phil Redmond was content with that.

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