Music Archive (176)

© Words Matteo Sedazzari
When the album opens up with Steve Marriott  bragging at the start “I've got a new axe, it's gonna make me rock hard man! “, you just know you are about  to enter into a loud, powerful and epic voyage of pure rock ‘n’ roll.  And if you were lucky enough to be in attendance at the Fillmore you certainly got your money’s worth, as you do with this album.   Marriott and the boys play more than just a gig, they give a heroic performance that can now be remembered for the worth that it should.

Born in Glasgow in 1931, Anthony James Donegan was the son of a professional violinist who played for the Scottish National Orchestra. When his parents divorced in 1933 Anthony moved with his mother to East London (hence the accent). Young Anthony loved listening to the radio and enjoyed country and blues music as well as New Orleans jazz. He got his first guitar at the age of fourteen. Once he mastered the guitar he began playing around London and was eventually asked to join a trad jazz band led by Chris Barber. Barber thought Anthony could play Donegan banjo which he could not. He brought a banjo to the audition but failed to impress however he and Chris Barber got on so well Anthony was asked to join the band. In 1949 Anthony was called up for National Service and served two years during which time he hear a lot more American music. When he was demobbed his formed his own group called the Tony Donegan Jazzband in 1952 and took inspiration from a new source of blues and folk music from the library at the American Embassy, which allowed visitors to listen to any recordings that were on hand. The stage name Lonnie came as a tribute to Lonnie Johnson who Donegan admired.

The Tony Donegan Jazz band played on the same program with the blues musician at the Royal Festival Hall and was mistakenly introduced as Lonnie Donegan, he like it and the name stuck. In 1953 Lonnie was back with the Chris Barber, now in a band called Ken Colyer’s Jazzmen. Being that bit younger than the rest of the group Lonnie began to play skiffle in between the trad jazz sets. He entertained the crowd to some do-it-yourself music with a washboard, a tea-chest bass and a cheap Spanish guitar, singing folk songs and blues by artists such as Leadbelly and Woody Guthrie. So popular was the skiffle segments he was asked to record a fast-tempoed version of Leadbelly's "Rock Island Line", with Chris Barber's Jazz Band in 1954. The single with John Henry as the B side was a spectacular hit in both UK and the US. The King of Skiffle launched the craze which would lead to the creation of over 50,000 skifffle groups in the UK alone, Lonnie Donegan changed the face of popular music forever. Keen to pursue a solo career and left the Jazzmen. His first single “Lost John" hit No. 2 in UK.

A series of popular records followed including "Cumberland Gap" and "Does Your Chewing Gum Lose It's Flavour on the Bedpost Over Night?". He also turned to a music hall style comedy with "My Old Man's A Dustman". By the early sixties Lonnie Donegan was no longer a headline act but had inspired many of the new order of guitar players including John Lennon and Pete Townsend. He resigned himself to live concerts and cabaret and worked tirelessly touring the world circuit, starring in Las Vegas, Hollywood, New York, Canada, Bermuda, Australia and New Zealand. He was back in the UK for a reunion concert with the original Chris Barber Band in 1975 but back in the US severe heart problems forced him to retire in 1976. By now many of his disciples were established stars themselves and Adam Faith encouraged the King of Skiffle to cross the Atlantic and re record some of his earlier works with an array of stars including Ringo Starr, Elton John, Peter Banks, Ron Wood, and Brian May. All contributed to “Putting on the Style” which was released in 1978. A follow-up album featured Albert Lee and Lonnie Donegan singing country-and-western. Refreshed by the interest Lonnie formed his own Skiffle group and started to tour again. Health problems continued however and in 1992 Lonnie underwent bypass surgery.

Two years later he joined Chris Barber, when the trombonist band leader was celebrating 40 years of his band. Both reunion concert and tour were recorded. In 1999, collaboration with long-time fan Van Morrison resulted in Lonnie's first album release in 20 years, Muleskinner Blues. Lonnie became a frequent guest and opening act for Van's shows and in June 1999 played at the Glastonbury Festival and the Fleadh Festival, followed by a tour that autumn. Lonnie also featured in the Skiffle Sessions – Live in Belfast with Van Morrison, Chris Barber, with a guest appearance by Dr John in 2000. Lonnie died in 2002 shortly before he was due to perform at a memorial concert for George Harrison (a lifelong fan). He was aged 71.

© Kippen C. 2014 Article from Cameron K's Jock Pop Blog

Cameron’s Jock Pop Blog  -  http://tartanrocker.blogspot.com.au/

© Words Matteo Sedazzari

“Why not just live in the moment, especially if it has a good beat?” Goldie Hawn,
Inspiring words from a beautiful woman who achieved international stardom and iconic status in the late  sixties, as a regular in the US hit cult comedy show Rowan & Martin's Laugh-In, a wacky and satirical sketch show which ran from January 1968 to  March 1973.  A comedy show that seemed to be part of the counter culture revolution

Tom and John Fogerty, formed a band in El Cerrito, California in the late 1950s, they were called Tommy Fogerty and the Blue Velvets but change their name to the Golliwogs before, Creedence Clearwater Revival (CCR). The line up consisted of Tom Forgery (Rhythm guitarist), younger brother John Forgery ( guitar and vocals), Stu Cook and Doug Clifford. In June 1968, Fantasy launched their first album "Creedence Clearwater Revival", which was a pseudo psychedelic rock album. The single form the album was a cover version of Dale Hawkins old rock standard "Suzie Q."

© Words Piers Hernu

At twenty three, jazz singer songwriter Amy Winehouse may be the hottest female singing talent in the world today, she may have cracked America, sung with the Rolling Stones and be lauded by the likes of Prince, Elton John, Jay Z and P Diddy,she may be a married, tattooed, multi millionaire with a reputation for hellraising and doing exactly what she wants when she wants but the dimuitive Jewish girl from North London is still very much Daddy’s little princess.