Music (121)

There’s no doubt that pop, rock and rap stars are some of the highest-paid entertainers on our planet. They have worldwide followings, with sold-out tours wherever they go, as well as millions of album sales. You’d think that would be enough money in the bank but, for some people, the challenge of going into business and building on that foundation as a global icon has proved too great.
Wilson Pickett was born in 1941, in Prattville, Alabama and the fourth of 11 children. The family moved to Detroit in his mid-teens and he sang in several Baptist church choirs. His forceful, passionate style of singing was developed between the sacred and the secular whilst singing on the streets with the other kids.
I was waiting at a chemist with a brick in my hand
I needed some pills to make me feel grand
I was about to give this window my lot when ..
The cops are coming
The cops are coming
You'd better lock your door if you don't dig jail.”
Curtis Ousley was born in Fort Worth, Texas in 1934. He learned to play the saxophone and was influenced by alto sax players; Earl Bostic and Louis Jordan; and tenor sax players; Illinois Jacquet, and Arnett Cobb. He started his professional career playing sax with Lionel Hampton before moving to New York City in 1953. Curtis worked under his own name and played tenor sax with Horace Silver’s jazz group.
Stephen Malcolm Ronald Nice was born in 1951 in Lewisham, London. He grew up in London’s New Cross area and as a child learned to play the violin, when he was 10 his parent gave him his first guitar and Stephen played in the school orchestra. By the age of 12 years, he contracted polio and spent the next four years in hospital.
Loyalty Lies is an album that is on a mission, to show the world of pop that the craft of songwriting, catchy arrangements and strong production is alive and well in the year 2018. Furthermore, Darron J Connett is certainly part of the creative revolution that is challenging the mainstream music industry that it needs a huge shake up.
Robin Trower (lead guitarist), Gary Brooker (vocals) and Chris Copping (bass) played in an r &b group called The Paramounts in Southend. The group had a minor hit with a cover version of Leiber and Stollers Poison Ivy in 1964.
In the winter of 1989, I was privileged and honoured to interview Danny Rampling, for my then fanzine, Positive Energy of Madness. It was about two weeks after he had closed his ground-breaking club Shoom. In my eyes at the time, and even today, the end of Shoom was Acid House’s equivalent to The Jam breaking up at the end of 1982. As Shoom, like the Woking Wonders, meant so much to a lot of people. Personally, I found Shoom inspiring, beautiful and wonderful. I was very late to the Shoom party, yet I was welcomed with opened arms, moving, truly moving as I would dance the night away with a beaming smile on my face.
‘Blue Flakes’ is the latest single from South East London brothers EASTERN BARBERS, and you can certainly hear the influence of these surroundings on the track. While not making a direct political statement, Ross and James Fernandez writing style is a form of documentation, and it just so happens that their immediate surroundings depict acute gentrification and the loss of the local community.

The Mersey Beat was a fortnightly newspaper started by Bill Harry and his partner in 1960. The purpose of the broadsheet was to cover the emerging beat scene of the sixties in Liverpool. An early “Gig Guide” the Mersey Beat was full of information about the groups, photographs and who was appearing and where.

Page 1 of 9

Follow ZANI on Facebook

Follow ZANI on Twitter


About Us

ZANI was conceived in late 2008 and the fan base gradually grew by word of mouth. Key contributors came from those of the music, film and fashion industry and the voice of ZANI grew louder. So, when in 2013 investor, contributor and fan of ZANI Alan McGee* offered his support to help restyle and relaunch the site it was inevitable that traffic would increase dramatically and continues to grow. *Alan McGee co-founder of Creation Records and new label 359 Music..


What We Do

ZANI is an independent online magazine for readers interested in contemporary culture, covering Music, Film & TV, Sport, Art amongst other cultural topics. Relevant to modern times ZANI is a dynamic website and a flagship for creative movement and thinking wherever our readers live in the world.